You don’t have to tell me about it. I know.
I freely admit that I spend an inordinate amount of time looking at shoes on the several zillion Internet pages devoted to footwear.
I write frequently about the absorbing topic of shoes. I wear shoes — every single day — and notice, every single day, the shoes upon the feet of everyone I know and nearly everyone I encounter.
And since I like shoes so damned much, I rarely find a shoe that I absolutely abhor. Oh, I have tried to be a H8ER but somehow I’ve managed to round out my shoe wardrobe with Crocs and clogs alike … and so that you know I do have taste, let me state that they in no way make up the bulk of that wardrobe.
So anyway, it was with great surprise that a couple days ago I ran across a boot that was so hideous, so repellent, so transformationally butt-ugly that I not only gasped in horror when I saw them, I (and I do not say this lightly) I actually had a nightmare about them.
It is true. Just look at these things, would you? They are the Vivienne Westwood Regent Boot and they retail for a whopping $725. Now, despite my professed love for shoes, I am truly not a haute couture shoe maven extraordinaire. No, those fashionistas who really know their stuff would no doubt laugh at my provincialism when it comes to high-end footwear. Oh, I would generally know a Christian Louboutin when I saw one, and for a while I got a weekly email from Ferragamo just so I could sigh over beauty that would never be mine. But honestly, I know very little about Vivienne Westwood, and a little Googling shows me that most of her stuff is a tad funky and even appealing, speaking as someone who strives for a look beyond the boring normal.
There’s nothing normal about the Regent Boot.
I can’t find a photo online of someone actually wearing this thing, but I have to believe the Caucasian-buff leg tone would make any wearer’s own gams look like East Germany female weightlifters’. I shudder to think what … what … toe would be conjured up by a startled onlooker to a gal garbed in the Regent. It is also amusing to think of what an African American lady might look like clad in these numbers. (Not that any black woman with taste would be caught dead in these boots — even with an appropriately shaded suede calf.)
The 4-inch heel, while interesting apart from its configuration as some sort of frightening faux-mule, just makes my blood run cold. Who wants the appearance of their very own heel to resemble that of a young orangutan fresh from the jungle?
So while most of my nightmares are much more run-of-the-mill — you know, a zombie here, a haunted house there — this boot was able to transcend such normal nightmare fodder and give me an actual footwear night terror. Which is really saying something given, as I say, how much I think about shoes.
I’m probably going to have to go back to that weekly Ferragamo newsletter to get over it.
I’ve been, you see, watching The Walking Dead on AMC, a series now in its second season based on the graphic novels by the same name. It was conceived of by Kentuckian Robert Kirkman, who hails from Cynthiana, so zombification-wise, I’m pretty much at Ground Zero.
Since stomping onto the set in the pilot episode, female lead Lori, wife to Our Hero Rick Grimes, has been ubiquitously clad in my go-to shitkicker, the Frye harness boot. It’s even the same color as mine, so my preoccupation is justified (sort of). You go, girl.
I know there’s going to be a lot I have to give up when facing down the undead every day. Fashion just isn’t a priority when the only medical practitioner you’ve got is more familiar with fillies than impaled fibias.
Visiting my sister Cara, chef of a darling restaurant,
Here’s something else: The Hotel Chelsea. Heard of it? Maybe? Well, maybe I had too.
Ah, how good of the Chelsea, to provide historical-markeresque plaques for the rubes from the hinterlands. Reading along, I learned this was the famous hotel where writers would go to write, holed up in their New York-fueled frenzy, churning out Pulitzer Prize winning novels and one Great American Novel after another.
Guess what? Sir Arthur C. Clarke wrote 2001: A Space Odyssey while at the Chelsea and oh, who else stayed there? Just a few nobodies like Mark Twain, Dylan Thomas, Arthur Miller, Gore Vidal, Tennessee Williams, Allen Ginsberg, and Jack Kerouac, who wrote On the Road there.